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Butterfly necklace pendant

Golden necklace pendants, butterfly shape.

Wolof or Tukulor artist, Dakar, Senegal
Butterfly necklace pendant
1930s–1950s
Gold-plated silver alloy
National Museum of African Art, Smithsonian Institution, gift of Dr. Marian Ashby Johnson, 2012-18-45

Butterfly necklace pendant

In order to document historic forms, Johnson often bought jewelry otherwise destined for the goldsmith’s melting pot. This European-inspired butterfly pendant is one such piece and as a result is one of the oldest in the collection.

Necklace (bount u sindoné)

Close up of golden necklace pendant with circular patterns and a flower design at the center.

Wolof artist, Dakar, Senegal
Necklace (bount u sindoné)
Mid-20th century
Gold-plated silver alloy
National Museum of African Art, Smithsonian Institution, gift of Dr. Marian Ashby Johnson, 2012-18-19

Necklace (bount u sindoné)

Complete perfection

For many Senegalese women, the ideal necklace incorporates three pendants—one central component flanked by two complementary, smaller pendants. A string of handmade beads, sometimes with a back pendant attached and worn at the nape of the neck, perfects the ensemble. The central portion of the necklace, known as a kostine, consists of delicate, ornate filigree and requires a great deal of skill and craftsmanship. According to art historian Marian Ashby Johnson, this particular style of necklace is a modified form of the kostine known as a bount u sindoné. A complete necklace with all three components is on display elsewhere in the exhibition.

Pendant

Golden jewelry piece with flower petal designs.

Unidentified artist, Dakar, Senegal
Pendant
Early 20th century
Gold-plated silver alloy
National Museum of African Art, Smithsonian Institution, gift of Dr. Marian Ashby Johnson, 2012-18-54

Pendant

Originally subordinate to a larger central pendant, this beautiful filigree piece is one of the oldest in the collection and demonstrates the earlier mixture of gold and silver known as urus sasel.

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