Thank you.
Thank you.
Wolof or Tukulor artist, Dakar, Senegal
Butterfly necklace pendant
1930s–1950s
Gold-plated silver alloy
National Museum of African Art, Smithsonian Institution, gift of Dr. Marian Ashby Johnson, 2012-18-45
In order to document historic forms, Johnson often bought jewelry otherwise destined for the goldsmith’s melting pot. This European-inspired butterfly pendant is one such piece and as a result is one of the oldest in the collection.
Wolof artist, Dakar, Senegal
Necklace (bount u sindoné)
Mid-20th century
Gold-plated silver alloy
National Museum of African Art, Smithsonian Institution, gift of Dr. Marian Ashby Johnson, 2012-18-19
For many Senegalese women, the ideal necklace incorporates three pendants—one central component flanked by two complementary, smaller pendants. A string of handmade beads, sometimes with a back pendant attached and worn at the nape of the neck, perfects the ensemble. The central portion of the necklace, known as a kostine, consists of delicate, ornate filigree and requires a great deal of skill and craftsmanship. According to art historian Marian Ashby Johnson, this particular style of necklace is a modified form of the kostine known as a bount u sindoné. A complete necklace with all three components is on display elsewhere in the exhibition.
Unidentified artist, Dakar, Senegal
Pendant
Early 20th century
Gold-plated silver alloy
National Museum of African Art, Smithsonian Institution, gift of Dr. Marian Ashby Johnson, 2012-18-54
Originally subordinate to a larger central pendant, this beautiful filigree piece is one of the oldest in the collection and demonstrates the earlier mixture of gold and silver known as urus sasel.